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Corey Gruber's avatar

I was tracking with the paper until the second element of Themes; I’m afraid I have to differ regarding the admonition about the ostensible “vice” of trying to “interpret divine punishment or reward.” Yes, we must avoid superficial and presumptive judgments, but that does not entail discarding doubt. Doubt is not betrayal. Allow me to make my case in the good company of Dante and some noted theologians and philosophers.

One of the problems with reading the Commedia sequentially, and its theological, philosophical, cultural and political “density,” is how difficult it is to gain context and to apprehend the thematic framework. You and Lisa have done an excellent job throughout, but there is only so much that can be compressed into a Canto’s summation. We also have to remember that the pilgrim has “privileged access to the truth,” unlike us (as noted in “The Cambridge Companion to Dante”).

Solomon provides the perfect example of why context matters, and how doubt is not a betrayal of the divine. His ultimate spiritual disposition was a subject of considerable debate given the conflicting biblical accounts and questions about his fidelity to God. He’s a mixed bag of contradictions: on one hand, gaining divine favor (his wisdom, temple-building, and authorship) and on the other, committing grave sins without explicit evidence of repentance. As a result, his fate in the Bible is ambiguous. Here’s a hint about why a smidgen of doubt might be in order about his punishment or reward: “The Lord was angry with Solomon, because his heart had turned away from the Lord.”(1 Kings 11:9). 😬 Perhaps that contributed to Augustine and Jerome’s skepticism about the King’s fate. Aquinas praised Solomon, but withheld addressing his salvation. Gregory the Great and Bonaventure said Solomon had returned to God, and gave him a hall pass to salvation. Dante obviously put his thumb on the scale in favor of Solomon’s salvation, but doubt about Solomon’s spiritual fate persists today.

We’re not there yet, but in Canto XIX of Paradiso we’ll see the clearest expression of (what I call) Dante’s “faithful doubt.” He questions the justice of condemning virtuous non-Christians who lack access to faith: “A man is born along / the shoreline of the Indus River; none / is there to speak or teach or write of Christ. / And he, as far as human reason sees, / in all he seeks and all he does is good: / there is no sin within his life or speech. / And that man dies unbaptized, without faith. / Where is this justice then that would condemn him? / Where is his sin if he does not believe?”

There’s an excellent article at Plough.com (https://www.plough.com/en/topics/faith/simone-weil-and-the-sacred-work-of-doubt) by Stefani Ruper which I highly recommend: “Simone Weil and the Sacred Work of Doubt.” Ruper does an exceptional job of capturing Weil’s insights into the positive aspects of doubt; Weil declares it is not the opposite of faith, but in fact a most faithful posture: “Suspending final answers for the sake of deepening understanding and therefore reverence and love.” She called it a “state of suspended expectation.” Weil mirrors the caution to the wise we read in Canto XIII and works like Readings on the Paradiso of Dante (1909), which says: “St. Thomas Aquinas, having now solved this last doubt, gives Dante a precept of warning about the solution of doubts generally, and the answering of questions. He tells him that the wise man must be slow to answer questions put to him, must be slow in affirming and slow in denying any proposition…while forming his judgment, he will not therefore take any decisive step until he sees the truth clear before him.” Ruper cites John Dewey (the American philosopher), who speaks of “sitting in doubt” — enduring “discomfort for the sake of finding deeper truths.”

The “Wisdom of God” can be, well, inscrutable. Dante’s told us (and warned us) about the appetite for knowledge. The Commedia reflects the Augustinian concepts of curiositas (sinful, vain curiosity) and studiositas (the disciplined pursuit of knowledge ordered toward divine wisdom and salvation). Dante’s reverent questions (his studiositas) are not betrayal; his doubts were no barrier to his faith. Scripture encourages seeking wisdom and understanding as noble initiatives, provided they’re rooted in reverence for God; curiosity is portrayed as a royal virtue when it involves uncovering hidden truths: “It is the glory of God to conceal things, but the glory of kings is to search things out.” (Proverbs 25:2) Doubt, then, can be a catalyst to refine and strengthen faith.

Weil said that “Whenever one tries to suppress doubt, there is tyranny.” Dante gives us scathing examples of a Church corrupted by worldly ambitions, often through dogmatic intransigence that brooks no questioning, which produces egregious sins like simony, hypocrisy, heresy, and treachery.

Does that lead us to Kierkegaard’s “qualitative leap” (popularized as “leap of faith”), requiring a deliberate commitment even in the face of doubt, uncertainty and paradox? Perhaps. Should we discard our doubts and jump with Soren, or remain with Weil in suspended expectation?

I for one am more comfortable with Weil. I think she reflects Dante’s belief that doubt is an act of active, faithful engagement, and that faith can grow in the soil of doubt. Is it a “vice” to try and “interpret (doubt) divine punishment or reward”? Not if it’s faithful doubt rooted in reverence for God.

H. Raatz's avatar

These words from Canto XIII: 116-120 (Mandelbaum trans.) seemed especially relevant.

"he who decides without distinguishing must be among the most obtuse of men; opinion —hasty—often can incline to the wrong side, and then affection for one's own opinion binds, confines the mind."

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